Part – I: Common to Hindustani / Karnatak / Rabindra Sangeet / Percussion Instrument.
1. Siddheshwari Devi was a leading artist of (A) Thumri (B) Kriti (C) Dhrupad (D) Tarana Answer: (A)
2. Author of ‘Sangeet Parijat’ is (A) Ahobal (B) Lochan (C) Narad (D) Tumburu Answer: (A)
3. ‘Upaj Anga’ is meant for (A) Tan (B) Sargam (C) Meend (D) Layakari Answer: (D)
4. Hira Bai Barodekar has represented which ‘Gharana’? (A) Jaipur (B) Delhi (C) Kirana (D) Rampur Answer: (C)
5. Which one of the following is the devotional composition in western music? (A) Chamber music (B) Plain song (C) Symphony (D) Jazz music Answer: (B)
6. Match the following: List – I List – II i. Rati 1. Raudra ii. Haas 2. Karun iii. Shok 3. Hasya iv. Krodh 4. Shringar Codes: i ii iii iv (A) 4 3 2 1 (B) 3 2 1 4 (C) 1 4 3 2 (D) 2 1 4 3 Answer: (A)
7. Where is Dhrupad Kala Kendra situated in Gwalior? (A) Haddu Hassu Sabhagar (B) Madhav Sangeet Mahavidyalaya (C) Govt Madhav Sangeet Mahavidyalaya (D) Sharda Sangeet Mahavidyalaya Answer: (A)
8. Assertion (A): Music is not limited to Guru Shishya Parampara or the classroom boundary, but now it should be used for the welfare of human welfare and in the interest of social context. Reason (R): Music is not a means of entertainment, rather it is related to the intellectual class of society and also music can play important role in the propagation of Indian culture. Codes: (A) (A) is correct, (R) is wrong. (B) (A) is wrong, (R) is correct. (C) (A) is wrong, (R) is wrong. (D) (A) is correct, (R) is correct. Answer: (D)
9. Which one is not a ‘Rabindra Sangeet’ among the following list of songs? (A) Tomaro Ashime, Prano Mano Loye (B) Ore Bhai Fagun Legeche (C) Eki Brinte Duti Kusum (D) Ore Grihabasi, Khol Dwar Khol Answer: (C)
10. How many divisions are in ‘Ekadashi Tal’? (A) 6 (B) 4 (C) 3 (D) 5 Answer: (B)
11. Rabindranath re-arranged the division of ‘Dhamar Tal’ as (A) 5⎪2⎪3⎪4 (B) 3⎪2⎪2⎪3⎪4 (C) 5⎪3⎪2⎪4 (D) 4⎪3⎪3⎪4 Answer: (B)
12. How many ‘Khali’ or ‘Fhank’ is in Tal ‘Rupakda’? (A) 1 (B) 2 (C) 3 (D) 0 Answer: (D) 13. Who was the famous Rabindra Sangeet Teacher and Singer? (A) Girija Shankar Chakraborty (B) Radhika Mohan Goswami (C) Shailaja Ranjan Majumdar (D) Gyan Prakash Ghosh Answer: (C)
14. Katapayadi Sankhya is used in (A) Grama Moorchana Jati System (B) Thaat Nomenclature (C) 72 Melakarta scheme (D) None of the above Answer: (C)www.netugc.com
15. The corresponding thaat of Kamavardhini is (A) Poorvi (B) Khamaj (C) Belaval (D) Kafi Answer: (A)
16. ‘Vatapiganapatim’ is composed by (A) Syama Shastri (B) Muttuswami Dikshitar (C) Patnam Subramanyam Iyer (D) Tyagaraja Answer: (B)
17. Match the following: List – I List – II i. Dha Kit Nakit Taka 1. Nakkara ii. Dha Tin Na Da 2. Tabla iii. Dhi ƒ kd Dhin Dha 3. Pakhawaj iv. Tak Dim 4. Mridangam Codes: i ii iii iv (A) 3 1 4 2 (B) 3 1 2 4 (C) 1 3 4 2 (D) 2 4 3 1 Answer: (B)
18. ‘Na’ of Tadana is produced on (A) On Syahi (B) On Lava (C) On Chanti (D) In the air Answer: (C)
19. Writer of Taal Prakash (A) Bharat Bhushan Agrawal (B) Bhagwat Sharan Sharma (C) Satyanarayan Vasishtha (D) Ram Naresh Rai Answer: (B)
20. Renowned Tabla player of Delhi gharana (A) Ramkumar Mishra (B) Manju Khan (C) Ilmas Hussain (D) Lateef Ahmad
Answer: (D) 21. How many ‘Ghar’ are there in the padi of Tabla / Pakhawaj? (A) 4 (B) 8 (C) 16 (D) 24 Answer: (C)
22. Second component of Prabandh is called (A) Melapak (B) Udgraha (C) Dhruva (D) Sanchari Answer: (A)
23. Bade Gulam Ali Khan used which pen name in his compositions? (A) Ram Rang (B) Man Rang (C) Sab Rang (D) Bhav Rang Answer: (C)
24. From the following, which scholar has arranged the notes according to the interval 4 3 2 4 4 3 2 (A) Matang (B) Lochan (C) Ahobal (D) Bharat Answer: (D)
25. Match the following: i. Pt. Bhimsen Joshi 1. Jaipur ii. Pt. MallikarjunMansoor 2. Gwaliar iii. Pt. UlhasKashalkar 3. Agra iv. U. VilayatHussain Khan 4. Kirana Codes: i ii iii iv (A) 2 1 3 4 (B) 3 2 4 1 (C) 4 1 2 3 (D) 1 4 3 2 Answer: (C)
Part – II: Hindustani Music (Vocal / Instrumental)
26. How many strings were used in ‘Baan-Vadya of Vedic period? (A) Seven (B) Nine (C) One hundred (D) Twenty five Answer: (C)
27. In which treatise thirteen characteristics of Raga have been stated? (A) Brihaddeshi (B) Sangeet Ratnaker (C) Natya Shastra (D) Sangeet Parijat Answer: (B)
28. Author of ‘Raga Tarangini’ (A) Pt. Somnath (B) Pt. Lochan (C) Pt. Hrydaya Narayan Dev (D) Pt. Sirinivas Answer: (B)
29. Uddatswaras are associated with which Gandharva Swaras? (A) Re, Dha (B) Pa, Sa (C) Ma, Ni (D) Ni, Ga Answer: (D)
30. How many Bhaktis are there in ‘Samved’? (A) 4 (B) 6 (C) 5 (D) 7 Answer: (C)
31. In staff notation ‘Pa’ is situated on which line from leger line (A) First (B) Second (C) Third (D) Fourth Answer: (B)
32. Following Shloka is cited from which trealise: ‘VeenavadanTatvagyahShrutijatiVishardahTalagyachAprayasaneMokshmargNigachhati’ (A) Brihaddeshi (B) Yagyavalkhya Smriti (C) Vakyapadiya (D) Sangeet Martand Answer: (B)
33. Which Raga will be formed by making Re and Dhakomal in Raga Bhupali? (A) Bhairavi (B) Vibhas (C) Todi (D) None of the above Answer: (B)
34. Which Raga is formed by making Rishabh and Dhaivat Shuddh in Multani Raga? (A) Gurjari (B) Madhuvanti (C) Bihag (D) Maru Bihag Answer: (B)
35. The combination of Miya Malhar and Sarang createswww.netugc.com (A) Jayant Malhar (B) Nat Malhar (C) Miya Ki Sarang (D) Shuddha Sarang Answer: (C)
36. The Odav Raga consisting both Gandhar (A) Jog (B) Bhupali (C) Deshkar (D) Jogia Answer: (A)
37. What is the frequency of Komal Gandhar? (A) 248 (B) 258 (C) 268 (D) 288 Answer: (D)
38. Which of the following is the minor chord? (A) SaGa Pa (B) Ga Pa Ni (C) ' Ma Dha ' Sa (D) P Ni 'Re Answer: (D)
39. Ustad Mushtak Ali Khan played sitar of how many frets? (A) 16 (B) 18 (C) 17 (D) 19 Answer: (C)
40. On the Jodi string of Sitar, which swara is found on the fifth fret from Ati or Atak? (A) Ga (B) Ma (C) Ga (D) ' Ma Answer: (B)
41. Which of the following Artists is not a sitar player? (A) Mushtak Ali Khan (B) Imdad Khan (C) Abdul Haleem Zaffar Khan (D) Ali Akbar Khan Answer: (D)
42. Match the items of List – I with List – II: List – I List – II i. Dhrupad 1. Dhumali ii. Thumari 2. Punjabi iii. Tappa 3. Deepchandi iv. Quawali 4. Chautal Codes: i ii iii iv (A) 2 1 3 4 (B) 3 2 1 4 (C) 4 3 2 1 (D) 1 3 4 2 Answer: (C)
43. Which category of instruments is named as Pushkar by Acharya Bharat? (A) Ghan Vadya (B) Sushir Vadya (C) Avnadhha Vadya (D) Tat Vadya Answer: (C)
44. Name the famous singer of Kirana Gharana in whose name a Gurukul is opened in Karnataka State (A) Roshanara Begum (B) Gangubai Hangal (C) Hirabai Barodekar (D) Saraswatibai Rane Answer: (B)
45. Find out the wrong match: (A) Tansen Samaroha – Gwaliar (B) Sawai Gandharv Sangeet Samaroha– Pune (C) Dover Lane Music Conference – Goa (D) Thygaraj Festival – Theruvaiyar Answer: (C)
46. Which of the following pair of Ragas have the same Aroha? (A) Miya Ki Malhar – Bahar (B) Bhupal Todi – Bilaskhani Todi (C) Miya Ki Todi – Multani (D) Yaman Kalyan – Puriya Kalyan Answer: (B)
47. Who mentioned saranachatustai for the first time? (A) Matang (B) Sharangdev (C) Bharat (D) Shriniwas Answer: (C)
48. Who wrote Sangeet Sudhakar? (A) Singh Bhopal (B) Vidyaranya Swami (C) Fakirulla (D) Vasdev Shastri Answer: (A)
49. Who is the author of Rag Darpan? (A) Srikantha (B) Damodar (C) Fakirulla (D) Bhavbhatta Answer: (C)
50. Vimal Knat Rai Chowdhary is the author of (A) Pranav Bharti (B) Sangeet Samay Sar (C) Kala Nidhi (D) Bhartiya Sangeet Kosh Answer: (D)
Part – III: Karnatak Music (Vocal, Instrumental, Percussion)
26. Anya Svara in Sri Ragam (A) Sadharana Gandhara (B) Chatusruti Dhaivata (C) Kakali Nishada (D) None of the above Answer: (D)
27. Ri Gu Mi Dha Nu is raga (A) Latangi (B) Vachaspati (C) Keeravani (D) Mechakalyani Answer: (A)
28. Sri Kaalahastisa Pancharatnam composer (A) Vina Kuppayyar (B) Patnam Subramanyam Iyer (C) Tyagaraja (D) Syama Shastri Answer: (A)
29. Composition provoked by incidents in the life of Tyagaraja (A) Svara Ragasudha (B) Kori Sevimparare (C) Nidhi Chāla Sukhama (D) Endaro Mahānu Bhāvulu Answer: (C)
30. Samudāyapadas were composed by (A) Arunagirinathor (B) Ghanam Krishnayyar (C) Kshetregna (D) Svati Thirunal Answer: (C)
31. Anubandham was the concluding section of (A) Kriti (B) Varnam (C) Padam (D) Tillana Answer: (B)
32. Lakshana Gitas composer (A) MahaVaidya Natha Iyyer (B) Paidala Gurumurty Shastri (C) Purandara Dasa (D) Dikshitar Answer: (B)
33. Bhuta Sankhya is used to denote names of (A) Uttaranga Svaras (B) Poorvanga Svaras (C) Melas (D) Chakras Answer: (D)
34. Match the following: List – I List – II i. Shatkala Govinda Marar 1. Vaggekkara ii. Tyagaraja 2. Tevaram iii. Subbaraya Shastri 3. Edaikkya iv. Tirunjana Sambandhar 4. Telugu Codes: i ii iii iv (A) 3 4 1 2 (B) 2 1 4 3 (C) 3 2 1 4 (D) 3 1 4 2 Answer: (A)
35. Assertion (A): Alapana precedinga kruti should have a balanced proportion to the length of thekruti. Reasoning (R): Alapanas should not precede a Padam. Codes: (A) Both (A) and (R) are true. (B) (A) is true, (R) is false. (C) (R) is true, (A) is false (D) Both (R) and (A) are false. Answer: (A)
36. Tayampaka is ensemble of (A) Chenda (B) Mrudangam (C) Tavil (D) Maddalam Answer: (A)
37. Assertion (A): In wind instruments greater the vibrating length of air column, less is the pitch. Reasoning (R): Pitch is inversely proportionate to the length of vocal chords. Codes: (A) (A) is true, (R) is false. (B) (R) is false, (A) is false. (C) (R) is true, (A) is false. (D) Both (A) and (R) are true. Answer: (D)
38. Author of Sangita Sara (A) Damodar (B) Vidyaranya (C) Somanatha (D) Haripala Answer: (B)
39. Kriyanga Ragas are presently known as (A) Varja Ragas (B) Shadava Ragas (C) Audava Ragas (D) Vakra Ragas Answer: (D)
40. Kriti ‘KaruBaru’ of Tyagaraja is in Raga (A) Mukhari (B) Nadanamakriya (C) Bhairavi (D) None of the above Answer: (A)
41. Sangita Kalpadrumam has been authored by (A) Haripala (B) Subbarama Dikshitar (C) Muttaih Bhagavatar (D) Somanatha Answer: (C)
42. Singer of Tevaram (A) Oduvar (B) Nayanar (C) Marar (D) Ponnani Answer: (A)
43. Kovur Pancharatna is in praise of (A) Kamakshi (B) Venkatesha (C) Madurai Meenakshi (D) Sundaresvara Swamy Answer: (D)
44. Magudi is also known as (A) Nagasvaram (B) Nagapani (C) Kombu (D) Bhujanga Svaram Answer: (D)
45. Rudra in 72 melakarta scheme is the (A) 9th Chakra (B) 11th Chakra (C) 12th Chakra (D) 8th Chakra Answer: (B)
46. Simhendra Madhyamam inas ampoornamelapadhati (A) Vegavahini (B) Chamaram (C) Sumadyuti (D) Bhinna Shadjam Answer: (C)
47. Alaku is the name in ancient Tamil music (A) Gamaka (B) Svara (C) Shruti (D) Raga Answer: (C)
48. Nirupanam is found in (A) Kalakshepams (B) Tevaram (C) Divya Prabandham (D) Tirupugazh Answer: (A)
49. Match the following: i. Navavidha Bhakti 1. Nayanar ii. Abhang 2. Prastara iii. Divya Prabandham 3. Sravanam iv. Dasa Pranas 4. Tukaram Codes: i ii iii iv (A) 2 4 3 1 (B) 1 4 2 3 (C) 3 4 1 2 (D) 4 2 1 3 Answer: (C)www.netugc.com
50. Ottamtullal is a popular folk dance of (A) Karnataka (B) Andhra Pradesh (C) Tamil Nadu (D) Kerala Answer: (A)
Part – IV: Rabindra Sangeet
26. Total number of songs included in the book ‘Geetanjali’? (A) 144 (B) 157 (C) 147 (D) 168 Answer: (B)
27. Which ‘Tal’ was created by R.N. Tagore in 3/2 Chhanda? (A) Ardha-Jhaptal (B) Rupakda (C) Jhampak (D) Rupak Answer: (C)
28. ‘Khanchar Pakhi Chilo, Sonar Khanchatite…’ song is originally included in which book of R.N. Tagore? (A) ‘Manasi’ (B) ‘Utsarga’ (C) ‘Chitra’ (D) ‘Sonar Tori’ Answer: (D)
29. How many songs were composed by R.N. Tagore in his book ‘Geetanjali’? (A) 147 (B) 114 (C) 96 (D) 86 Answer: (D)
30. In which book the song ‘Tumi Ki Kebal-i Chhabi…’ was included? (A) Mahua (B) Manasi (C) Balaka (D) Kalpana Answer: (C)
32. How many divisions are in ‘Naba Pancha’ Tal created by Tagore? (A) 4 (B) 6 (C) 8 (D) 5 Answer: (D)
33. In Jorasako Tagore family, who influenced Tagore mostly for making innovative compositions? (A) Hemendranath (B) Abanindranath (C) Jotirindranath (D) Devendranath Answer: (C)
34. ‘Jibano Maraner Simana Chharaye…’ In which taal this song is based on (A) Rupak (B) Rupakda (C) Jhampak (D) Ekadashi Answer: (B)
35. Which song reflects ‘Swadesh Prem’ (patriotism) of Rabindranath? (A) Anando Loke, Mangala Loke (B) Bado Asha Kore (C) Purano Sei Diner Katha (D) Sarthak Janam Amar Answer: (D)
36. Rabindranath composed which song in reply to his felicitation ceremony at Oxford University? (A) Aaj Sabar Range,… Rang Meshate Hobe (B) Anek Katha Jao Je Bole (C) VishwaVidyathirtha Prangan Karo Mahojjal (D) Shanti Mandir Punya Angan Hok Answer: (C)
37. Rabindranath wrote drama ‘Tapati’ in protest against the death of which freedom fighter during British period? (A) Khudiram Bose (B) Chittaranjan Das (C) Mahatma Gandhi (D) Jotindranath Das Answer: (D)
38. ‘Ananda Dhara, Bohichhe Bhubane…’ In which raga this song is based on? (A) Darbari (B) Malkauns (C) Bageshri (D) Kafi Kanada Answer: (B)
39. Which song is based on the theme of Monsoon among the following? (A) Jhar Jhar Rakta Jhare (B) Tahar Ananda Dhara (C) Jhar Jhat Jhar Bhadar Badar (D) Bahe Nirantaro Ananda Dhara Answer: (C)
40. Which song is a baul (folk) based Rabindra Sangeet composition? (A) Ami Tare-i Jani….. (B) Joy Hok, Joy Hok….. (C) Jagite Hobe Re….. (D) Naba Anande Jago….. Answer: (A)
41. In terms of number of Matra, Rabindrik Tal ‘Ardha Jhaptal’ is equal to (A) Sasthi Tal (B) Rupakda (C) Nabatal (D) Jhampak Answer: (D)
42. Rabindra Sangeet ‘Tomaro Ashime Pran Mano….’ is based on which tal? (A) Ektal (B) Dhamar (C) Kaharwa (D) Teental Answer: (C)
43. ‘Maha Vishwe, Mahakashe….’ Song is based on which raga? (A) Yaman (B) Yaman Kalyan (C) Bihag (D) Bihagda Answer: (B)
44. ‘Ki Gabo Ami, Ki Sunabo…’ song is based on which tal? (A) Teental (B) Jhamptal (C) Ektal (D) Dadra Answer: (C)
45. Who was appointed as the music teacher of Tagore family after Jadu Bhatta? (A) Vishnu Chakroborty (B) Shyam Sundar Mishra (C) Radhika Prasad Goswami (D) Khitindramohan Goswami Answer: (C)
46. Song ‘Hridaya Nandana Bane….’ Is based on which Mishra Raga? (A) Ananda – Bhairavi (B) Asha – Bhairavi (C) Kafi – Kanada (D) Lalita – Gauri Answer: (D)
47. ‘Je Chilo Amar Swapano Charini….’Which style of Rabindra Sangeet is it? (A) Folk style (B) Baul style (C) Devotional (D) Kirtan style Answer: (D)
48. Which song was composed in the style of Western composition? (A) Laho Laho, Tule Laho (B) Tomra Ja Balo Tai Balo (C) Aacho Antare Chirodin (D) Purano Sei Diner Katha Answer: (D)
49. Rabindranath wrote famous dance drama ‘Chitrangada’ in which Chitrangada was depicted as Princess of which state? (A) Punjab (B) Orrisa (C) Manipur (D) Assam Answer: (C)
50. Dance Drama ‘Taser Desh’ is based on which story written by Rabindranath? (A) Ekti Asade Golpo (B) Shyama (C) Mayar Khela (D) Mouni Tapas Answer: (A)
Part – V: Percussion Instruments
26. God of Taal according to ancient treatise (A) Brahma (B) Vishnu (C) Shiva (D) Ganesh Answer: (C)
27. Avanaddha Vadya which is played with Manipuri Dance (A) Mridang (B) Mridangam (C) Khol (D) Pung Answer: (D)
28. Instrument of Tatavanaddha category (A) Chang (B) Upang (C) Karta (D) Mukhchang Answer: (B)
29. Tabla player, who had control equally over all the four main styles of Tabla (A) Ahmad Jaan Thirakua (B) Habibuddin (C) Karamatulla Khan (D) Alla Rakkha Khan Answer: (A)
31. ‘Jay Ghanta’ instrument belongs to (A) Tantra Vadya (B) Sushir Vadya (C) Avanaddha Vadya Answer: (D)
32. Match the following: List – I List – II i. Tappa 1. Deepchandi ii. Thumari 2. SoolTaal iii. Saadara 3. Dhumali iv. Quawali 4. Punjabi Codes: i ii iii iv (A) 1 2 3 4 (B) 4 3 2 1 (C) 4 1 2 3 (D) 3 2 1 4 Answer: (C)
33. Author of ‘Tabla Kaumudi’ (A) Shri Ramshankar Das Pagaldas (B) Shri Girish Chandra Shrivastava (C) Shri Satish Chandra Shrivastava (D) Shri Vijay Shankar Mishra Answer: (A)
34. Jat Taal consists of (A) 14 (B) 16 (C) 18 (D) 15 Answer: (B)
35. Match the following: List – I List – II i. Delhi Gharana 1. Mohammad Akaram ii. Punjab Gharana 2. Lateef Ahmed iii. Farrukhabad Gharana 3. Karamat Ullah Khan iv. Ajarada Gharana 4. Laxman Singh Seen Codes: i ii iii iv (A) 1 2 3 4 (B) 2 4 3 1 (C) 2 3 4 1 (D) 3 2 4 1 Answer: (B)
36. Arrange in chronological order on the basis of their birth year: (i) Ustad Ahmedjan Thirkawa (ii) Ustad Natthoo Khan (iii) Haji Vilayat Ali (iv) Pandit Anokhelal Codes: (A) (iii), (i), (ii), (iv) (B) (i), (ii), (iii), (iv) (C) (iii), (ii), (i), (iv) (D) (iii), (ii), (iv), (i) Answer: (A)
37. The process of applying mud on the faces of Mridang was known as (A) Lepan (B) Trilepan (C) Vilepan (D) Sammilan Answer: (C)
38. Number of Desi-Taalas in Sangeet Ratnakar (A) 80 (B) 100 (C) 140 (D) None of these Answer: (D)
40. Avanaddha Vadya which is played with Odissi Dancewww.netugc.com (A) Mridangam (B) Tabla (C) Maddalam (D) Ghant Vadyam Answer: (D)
41. The guru of Ustad Ahmed Jan Thirkawa (A) Ustad Muneer Khan (B) Ustad Nazeer Ali (C) Ustad Ghame Khan (D) Ustad Fakeer Bakhsha Answer: (A)
42. Name the Taala in which the very first Bola covers 1(1/2) Matra (A) Dhumali (B) Dhamar (C) Jhoomara (D) Deepchandi Answer: (B)
43. The Matras of the Taal ‘Khemta’ (A) 6 (B) 7 (C) 8 (D) 9 Answer: (A)
44. Number of Gattas in Tabla/Pakhawaj (A) 4 (B) 6 (C) 8 (D) 10 Answer: (C)
45. ‘Trivali instrument belongs to the classification of (A) Tantri Vadya (B) Sushir Vadya (C) Avanaddha Vadya (D) Ghan Vadya Answer: (C)
46. The editor of Taalkosh (A) Harishchandra Srivastava (B) Satishchanda Srivastava (C) Girishchandra Srivastava (D) Lalji Srivastava Answer: (C)
47. Nana Panse belonged to the instrument of (A) Tabla (B) Pakhawaj (C) Mridangam (D) Khola Answer: (B)
48. Match the following: List – I List – II i. Tabla Puran 1. Shri Chhotelal Mishra ii. Taal Deepika 2. Shri Sudhir Mainkar iii. Tabla Vadan Kala aur Shastra 3. Shri Vijay Shankar Mishra iv. Taal Prasoon 4. Shri Madhukar Ganesh Godbole Codes: i ii iii iv (A) 4 3 2 1 (B) 4 1 2 3 (C) 3 2 4 1 (D) 3 4 2 1 Answer: (D)
49. The place where ‘Taal Toya Nidhi’ granth was written (A) Jaipur (Rajasthan) (B) Rampur (Uttar Pradesh) (C) Datiya (Madhya Pradesh) (D) Raigarh (Chhattisgarh) Answer: (D)
50. Match the following: List – I List – II i. Varanasi 1. Ustad Habibuddin Khan ii. Meerut 2. Ustad Jahangir Khan iii. Gurudaspur 3. Ustad Afaque Hussain Khan iv. Lucknow 4. Ustad Allarakha Khan Codes: i ii iii iv (A) 2 1 4 3 (B) 3 2 1 4 (C) 4 3 1 2 (D) 2 4 3 1
Answer: (A) |